Built during the second half of the 12th century by the Almohads, a Moroccan-based Berber Muslim empire (1121-1269). When the Almohads took over Marrakesh in 1147, they destroyed many monuments credited to the Almoravids (their predecessors who they considered heretics). One of the causalities was a previously-built mosque that was taken down and replaced with the Koutoubia Mosque. Subsequently, the Mosque metamorphosized into its present form throughout the second half of the 12th century, with the vital works being carried out during the reign of Almohad Caliph Yaqub al-Mansur (1184-99).
Its name, ‘Koutoubia’, is derived from the Arabic word ‘Koutoubiyyin’ or ‘bookseller’ as there were many booksellers plying their trade in a nearby souk (market). The mosque has beautiful, verdant gardens surrounding it and has a distinct minaret which merges Berber, Arab and Andalusian architecture to create a dazzling monument. Built with sandstone, the minaret stands at 70 meters and overlooks the Jema el-Fna, the centre of the old city in Marrakesh.
The Almohads would go on to build other momentous building throughout Morocco and Spain that would share similarities with each other; the Koutoubia’s counterparts can be seen in the form of the La Giralda in Seville and the Hassan Tower in Rabat. (see below).
One of the most visually stunning piece of Mughal architecture – with its capacity of 56,000, the Badshahi Mosque in Lahore has been amongst the largest mosques in the world since its completion in 1673. The austere Aurangzeb had it built to commemorate his victory over Shivaji, the king of the nascent Maratha’s. Little did the Mughal Emperor know Shivaji’s descendants would return and wage a war that would prove instrumental to the Mughal Empire’s decline in the 18th century.
Construction began in 1671 on the orders of Emperor Aurangzeb (1658-1707), the last of the great Mughals, thus explaining the name – the ‘Emperor’s Mosque’. The task of overseeing the construction was left to Aurangzeb’s foster brother, Fidai Khan Koka who was also the governor of Lahore at the time. It bears a resemblance to Delhi’s Jama Masjid built during Aurangzeb’s father, Shah Jahan’s, reign.
Despite its magnificence, it has experienced some dark days. When the Sikhs under Ranjit Singh took the city in 1799 and made it their capital, the Badshahi Mosque’s courtyard was used as a stable for army horses and the mosque’s interior was used as living quarters for the soldiers and to store ammunition. At one point there was a Sikh civil war, during which the Mosque was used as an artillery position to besiege the nearby Lahore Fort!
The British continued the Sikh practise of using it as a military garrison before increasing Muslim resentment forced their hand in establishing the Badshahi Mosque Authority, which aimed to restore the monument to its former glory. But these repairs would prove to be piecemeal and not enough to reverse the decades of neglect; it was not until the middle of the 20th century when funds raised under the auspices of Sikander Hayat Khan were used to make monumental repairs to this impressive feat of architecture.
Check out our YouTube video on the Badshahi Mosque:
The Taj Mahal is considered to be amongst the most beautiful and impressive works of architecture in history. This Wonder of the World attracts almost 8 million visitors annually; part of its allure comes from the story that a heartbroken Emperor built the Taj Mahal for his dead wife as a token of his grief. Yet it is important to remember that its construction served to highlight the triumph of its patrons, the Mughals – a tremendously wealthy Persian-ised Turkic Dynasty that ruled over much of the Indian Subcontinent and Afghanistan from the 16th to the 18th century.
At the peak of its imperial glory, the Mughals were ruled by Shah Jahan (1628-1658) who had a wife, Mumtaz Mahal, he was devoted to – so much so that he decided to build this incredible edifice in her memory when she died giving birth. Under the instruction of Ustad Ahmad Lahori more than 20,000 workers from across India, Persia, the Ottoman Empire and even Europe were employed to construct the Taj Mahal between 1632 and 1654. This included masons, stonecutters, inlayers, carvers, painters, calligraphers, dome-builders and other artisans. Don’t forget about the 1,000 elephants used to carry materials!
The mausoleum itself, dedicated to the deceased Mumtaz Mahal, was completed by 1639 but it would require more than an extra decade to finish the buildings next to it and the decoration work. The complex sits on a 315 ft square marble platform and has four minarets which are around 140 ft tall. The mastery of the architects and craftsmen is demonstrated by the usage of proportions. For instance, the four surrounding minarets appear upright from afar but actually lean outward: as well as being a cool trick of the eye, this ensures that the minarets would crumble away from the main tomb in case of an earthquake (a real architectural concern in this period). Also, from the main gate of the Taj Mahal the monument appears close and large but the closer you get, the smaller it becomes! The Taj Mahal’s bag of tricks doesn’t end there – like a chameleon, it can change its colours. Well, the hue of the colour at least. Thanks largely to the sun, the Taj Mahal can appear gray and pink during sunrise, white at noon, orange-bronze when the sun sets and at night it seem blue.
The gardens – which are often intended to be an earthly representation of paradise in Islamic architecture – are actually rooted in the British style due to the intervention of the British Indian Government under Lord Curzon (1899-1905), who is also largely responsible for renovating and maintaining the Taj Mahal after decades of neglect. This neglect included the looting of its semi-precious stones by British soldiers in the aftermath of 1857 Indian Mutiny.
There are a lot of popular myths associated with the construction of the Taj Mahal. One of which relates that Shah Jahan wanted the mausoleum to be a unique masterpiece. In order to guarantee this, he supposedly cut off the hands and gouged the eyes of the artisans and craftsmen involved in its construction so that another like it would not be built. Even though it makes for a cool story, there is no evidence to suggest this happened. On the contrary, historians have found that Shah Jahan was more ruthless than romantic. Although the Taj Mahal has been considered a symbol of love and devotion, it is undoubtedly also a symbol of absolute power. The extravagant attempt to build something perfect – architecturally speaking in its symmetry – can be regarded a source of propaganda, fit for a man who named himself Shah Jahan, “King of the World”.
The famous poet Rabindranath Tagore called the Taj Mahal “a tear suspended on the cheek of time”. But was this tear worth the staggering $800 million in today’s valuation that it cost to build it? As a fan of architecture I can’t help but appreciate the symmetrical beauty of this timeless monument. But if I put myself in the shoes of a Mughal subject in the 17th century, I can’t help but feel anger at a leader who would dedicate so much of the nations resources for his own grief (or vanity). Too often this has become a model of behavior for leaders in the Islamic world, we only tend to notice it in times of want and need.
All these great photos have been contributed by Omar Rais – check him out on:
The magnificent palace-fortress complex of the Alhambra had very humble origins. A small fortress had existed in its place since at least as early as 889 AD and was most likely built on the site of Roman fortifications – the continuity of the site’s usage demonstrates its strategic location, being situated on top of a hill overlooking the city of Granada. It came to be known as ‘Qalat Al-Hamra’, or the ‘Red Fortress’, most likely due to the red bricks used in its construction.
It fell into obscurity until the mid 11th century when Samuel ibn Naghrela (994-1056), a Jewish vizier to the Emir of Granada, reconstructed and made it his residence. Samuel was succeeded as vizier by his son Joseph who further expanded the fortress out of fear inspired by the rising anti-Semitism in the taifa of Granada (see 1066 Massacre of Granada). Ironically, when the Christian kingdoms completed the Reconquista* in 1492, the Edict of Expulsion, which forced the Jewish population of Spain to leave the country, was signed in 1492 in the Alhambra – the same place which owed at least part of its roots to Spanish Jewry.
The current shape of the Alhambra is owed to the rulers of the Nasrid Emirate of Granada who transformed it into a royal palace. From the mid-13th century onward the Alhambra was expanded and embellished to its current grandeur over the course of the next century and a half. These improvements included the famous Patio of the Lions, the Baths and extension of some of the towers.
When Granada fell to the Catholic Monarchs, the Alhambra retained its place of prominence as it became the site of their royal residence and was even the place where Christopher Columbus received royal support for his expedition to the New World. Charles V, Emperor of the Spanish Empire and the Holy Roman Empire, was keen to place a Christian imprint on this feat of Islamic architecture and decided to build a palace which required the removal of some aspects of the original complex. Although the palace was not completed, it has left quite an impressionable mark on the entire complex.
From the mid-16th century onward, the Alhambra was virtually abandoned until the 19th century when it was re-discovered by British intellectuals. Since then, the site has benefited greatly from reconstruction works done on it after centuries of neglect and disrepair.
Muslim Spain is a great example of how artistic achievements can transcend differing religious outlooks. Even though the Islamic presence in Iberia precipitated a clash of civilisations between Islam and Christendom, the Christian kingdoms still kept certain remnants of al-Andalus. Some of these Muslim feats of architecture and culture, with the Alhambra being the best example, have left indelible marks on Spanish and Portuguese culture. In turn, this has provided both Spanish and Portuguese culture with an extra layer of richness that is now being utilised to help the countries materially, in the shape of tourism.
* The Reconquista – the resistance of the Catholic kingdoms of the northern Iberia towards Muslim rule, started almost as soon as the Muslims took power in 718 and ended with the fall of the final Muslim stronghold of Granada in 1492.
All these amazing pictures have been provided courtesy of EduArtGranada, a talented artist from Granada – go check him out on